art-culture

Jiyong Kim Group Exhibition 〈Empty, Fill / blank〉

Jiyong Kim Group Exhibition 〈Empty, Fill / blank〉

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Jiyong Kim Group Exhibition 〈Empty, Fill / blank〉

Jiyong Kim Group Exhibition 〈Empty, Fill / blank〉

A portrait stitched with pins—where wounds once were, identity now grows.


Exhibition Overview

From September 9 to 28, 2025, Schengen Gallery (@schengen.artgallery) in Dongmyeong-dong, Gwangju hosted the group exhibition 〈Empty, Fill / blank〉.

The show brought together three artists—Jiyong Kim (@artist.jiyong), Joyrin (@_joyrin_), and Tansan (@tansan.art)—who each interpreted the themes of repetition and stillness, trace and growth through distinct artistic vocabularies.

Despite their differences in form and medium, their works converge on a shared emotional axis: the accumulation of time, and the layered textures of inner experience.

 

 
Smiler-4, Acrylic, Foam on canvas, 30cm, 2025
Smiler-4, Acrylic, Foam on canvas, 30cm, 2025
Smiler-3, Acrylic, Foam on canvas, 30cm, 2025
Smiler-3, Acrylic, Foam on canvas, 30cm, 2025
Smiler-2, Acrylic, Foam on canvas, 30cm, 2025
Smiler-2, Acrylic, Foam on canvas, 30cm, 2025

A Map of the Self, Drawn in Pins

At the heart of Jiyong Kim’s practice lies a meditative ritual: driving thousands of dress pins into a surface, one by one. Each pin stands as a trace of pain—and simultaneously, a tool for healing.

From afar, the works read as singular images. But up close, they dissolve into a constellation of points: fragments of emotion, memory, and self. The quiet repetition becomes almost spiritual, offering a visual record of self-restoration.

“The act of placing each pin is a process of recovering a suppressed self. Healing doesn’t happen all at once—it’s forged in silence, through repetition.”

— From the artist's note

 

Healing Through the "Filling" Series

채움(Filling)-26, pin on canvas, 65x91x5cm, 2025
채움(Filling)-26, pin on canvas, 65x91x5cm, 2025
채움(Filling)-24, pin on canvas, 65x91x5cm, 2025
채움(Filling)-24, pin on canvas, 65x91x5cm, 2025

Kim’s newest works on view belong to his evolving Filling series, an offshoot of his earlier Make People body of work. Recalling the comfort of childhood moments by the sea, Kim uses broad strokes of paint and wave-like marks to express emotional remnants and emptiness.

Scrapes made with a palette knife, drawn ripples layered on top, and pins slowly filling the gaps—this process doesn’t just build an image; it maps an inner journey of reflection and growth.

 

A Question for the Viewer

Flower-5, acrylic, pin on canvas 53x73x5cm, 2025
Flower-5, acrylic, pin on canvas 53x73x5cm, 2025

Kim’s work quietly asks:

“Are wounds meant to be covered—or carefully stitched and carried with us?”

Though pins may appear sharp and unforgiving, in his hands they become gentle brushes. Rather than recording pain, Kim chooses to rebuild himself over it—one pin at a time.

In 〈Empty, Fill / blank〉, his work transcends form and becomes something else entirely: a landscape of emotion, a testament to healing, and a new kind of self-portrait.

 

Exhibition Details

Title: Empty, Fill / blank

Dates: Sept 9 – Sept 28, 2025

Venue: Schengen Gallery, 3F, 72-16 Dongmyeong-dong, Dong-gu, Gwangju

Organized by: @schengen.artgallery

Artists: Jiyong Kim @artist.jiyong, Joyrin @_joyrin, Tansan @tansan.art

 

 
Smiler-1, Acrylic, Foam on canvas, 30cm, 2025
Smiler-1, Acrylic, Foam on canvas, 30cm, 2025

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